JNANAPPANA-GITA OF MALAYALIS

Melpathur Refused to Read It

Today is Poonthanam day-aswathy in Kumbham.

Poonthanam was born in 1547 in the month of masi on the day of Aswini, at Keezhattoor, near Perinthalamanna in Malapuram district,into a Namboodiri Brahmin family. He married at 20, but for a long time, they had no children. He began to propitiate the Lord of Guruvayur by reciting the ‘[Santhana Gopalam]’ and a son was born. He called for a celebration and everybody known was invited, but the child died an hour before the Annaprasanam ceremony.Grief-stricken, Poonthanam sought refuge at Guruvayur and started praying with the puranic story of Kumaraharanam. The heartbroken Poonthanam, it is said, was consoled by Guruvayurappan himself, who lay down on his lap, for a moment, as a child. He considered Lord Krishna as his son and achieved enlightenement. In the Jnanappana he writes: “While little Krishna is dancing in our hearts, do we need little ones of our own?”. Poonthanam spent the rest of his life reading the Bhagavatham and singing the Lord’s glories in simple Malayalam. His magnum opus, the Jnanappana, was composed during this period. 

Poonthanam

The chief poems of Poonthanam are Jnanappana, Bhasha Karnamritam and Kumaraharanam or Santanagopalam Pana. Jnanappana (transliteration: The Song of Divine Wisdom) is a veritable storehouse of transcendental knowledge which is firmly rooted in the experiences of this world. In a language, absolutely free from regionalism and dialectal influences, unadorned with excessive rhetorical features, through a series of concrete pictures taken from contemporary life, the poet is able to drive home his perception of the short lived nature of the ephemeral aspects of life. His religious meditations flow uncluttered and unencumbered with irrelevant matter. Jnanappana has been transcreated into English by poet cum writer Dr Gopi Kottoor, the book “Poonthanam’s Hymns – The Fountain Of God” is published by Writer’s Workshop,Kolksata.It has also been translated by Vijay Nambisan,published by Penguin.

Bhasha Karnamritam is a devotional work intended to create devotion to Lord Krishna in the readers. Santanagopalam Pana tells the story of a Brahmin father who lost all his children and sought the help of the Pandava prince Arjuna. Arjuna proudly offered to help him preserve his next child alive, but he was unable to keep his word. The Brahmin abuses Arjuna to his great anguish and in his wounded pride he decides to commit suicide by leaping into flames. Krishna out of love for Arjuna, intervenes at the last moment and takes him to Vaikuntha from where they recover all the lost children of the Brahmin. Krishna’s infinite love for his devotees is thus the central theme, but the poem also makes its appeal because of its down-to-earth realism and unmistakable touch of authenticity.

Poonthanam Illam

Poonthanam preached Namasmaranam, or the constant remembrance of the Lord’s name, as the only way to reach Him. He emphasised the futility of material existence and advocated instead service to the Lord through the Nama japa, or recitation of the names of the Lord, as the path to moksha. At the end of each verse of the Jnanappana, the nama japa of ‘Krishna Krishna Mukunda Janardhana,’ stresses Poonthanam’s emphasis on nama sankeerthanam.

Over a period of time , Poonthaanam has acquired the status of most sought after commentator of the scriptures in Guruvaayoor Temple. One day an important dignitary had arrived in the temple. The authorities concerned asked Poonthaanam to vacate the main seat for accommodating the guest. Hesitatingly, Poonthaanam made way. However, thereupon happened one more incorporeal proclamation from the sanctum sanctorum:” Poonthaanam need not stay in the temple any more with unfriendly people as I have decided to come to your house. I will visit your house (on such and such date) and stay there for ever”.

Poonthaanam obeyed the divine command and proceeded to his house. On the destined day he was seen extending hospitality to the invisible guest at his house- apparently the visit by God. He constructed a temple to install the lord on the “left” side of the house and it had come to be known as the left side temple during his times.

According to legend, Poonthanam left this world in his body in 1640. When he announced his departure for heaven, he invited anyone who wanted to join him, which all the villagers declined. Ultimately, only a maid who had been nursing his ailing wife joined him on his heavenly journey.

He was a contemporary of Melpathur Narayana Bhattathiri, another famous poet associated with Guruvayur. Melpathur, the author of the Sanskrit work Narayaneeyam, was a famed scholar who out of pride refused Poonthanam’s request to read his Jnanappana, a work in Malayalam.Legend has it that Guruvayurappan, impressed by Poonthanam’s humility and devotion preferred his works to those of Bhattathiri’s and once even rebuked Bhattathiri for ignoring Poonthanam’s Santhanagopala Paana saying he preferred Poonthanam’s genuine bhakti to Bhattathiri’s vibhakti.

Jnanappana can be considered as the Bhagavad Gita of Malayali Hindus. This is a darshanika kavyam or philosophical poem expressed in simple Malayalam for ordinary people. The Jnanappana is noted for its literary quality, the use of simple phrases, its philosophical strength and reflects Poonthanam’s deep bhakti to Guruvayoorappan. Jnanappana consists of 360 lines of verse written in the pana metre of Malayalam poetry The Jnanappana is noted for its use of opposing images through which Poonthanam draws out the cosmic acts of Krishna through the web of karma.

In the Jnanappana, Poonthanam, an ardent devotee of Shri Guruvayurappan, transforms his unbearable sorrow from his infant son’s death into a yogavishesham. He used this sad experience to build his Bhakti soudham or house of devotion and opens it for all devotees for all time. The line “unnikrishnan manasil kalikumbol,unnikal mattu venamo makkalai” (When the baby Krishna plays in one’s mind, does one need one’s own children?) expresses the poet’s grief at the death of his child and his deep devotion to Guruvayurappan even in that grief-stricken state. Even though the language is very simple, Jnanappana, or song of wisdom deals within it with the essence of the Srimad Bhagavatam, Bhagavad Gita, Bhajagovindam, Viveka Chudamani and Narayaneeyam.

The devotional hymn ‘Kandu Kandangirikkum Janangale’ is from the Jnanappana.

( Written on 28 February,2020.)